The issued version is structured in two parts: the first part is used as Intro, Interlude and Coda. The second part, or Solos Section, is based on a vamp and is used to develop the solos. The beginning of the ostinato of the second section was created by looping a phrase that starts at 2:50.
INTRO
* 00:00 - Bass vamp #1
* 00:41 - THEME by Davis w. echo -> THEME by Davis & Shorter
SOLOS SECTION #1
$ (a) 02:50 - Bass vamp #2 with Brooks & Alias
* (b) 02:56 - Bass vamp #2 with Brooks, Maupin & Alias
$ (b) 03:01 - Duplication of (b) bass vamp, from 2:56 through 3:01
$ (b) 03:07 - Duplication of (b) bass vamp, from 2:56 through 3:01
$ (b) 03:12 - Duplication of (b) bass vamp, from 2:56 through 3:01
$ (ab) 03:17 - Duplication of (a) plus (b) bass vamp, from 2:50 through 3:01
$ (b) 03:27 - Duplication of (b) bass vamp, from 2:56 through 3:01
* 03:32 - the rest of the rhythm section enters and the performance continues without edits until 10:36
* Solos: Davis (3:54/ 6:20); McLaughlin (6:32/ 7:26);
$ 10:36 - Duplication of the passage played just before (from 10:31 through 10:36) plus new fragment (5 notes played by Miles) until 10:42
$ 10:42 - Duplication of the previously played passage (from 10:36 through 10:42), plus new fragment until 10:52
$ 10:52 - Duplication of the previously played passage (from 10:42)
* 11:28 - Davis' solo ends
* 11:38 - Shorter solo, ending at 12:36. A very brief Holland solo follows
$ 12:42 - Groove » Corea (12:49...)
$ 13:28 - Corea cont.
INTERLUDE
$ 14:36 - Bass vamp #1 » THEME by Davis w. echo (15:55);
SOLOS SECTION #2
$ 17:20 - Bass vamp #2 » Solos: Holland (17:29/ 19:18); Davis (19:23/ 20:11) » Groove » Davis (20:58/ 21:48)
$ 22:01 - Groove » Zawinul (22:31)
CODA
$ 24:04 - Duplication of the introduction (from 0:00 to 2:50)
$ denotes a tape edit.
* denotes a musical event.
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